![]() ![]() As a general rule, coarser mesh is best used with lower durometer squeegees.įinally, the shape of your chosen squeegee blade will also matter, depending on the intended application. But consider the relationship between the screen mesh and the squeegee blade when making your selections, too. That leaves the harder squeegees – those of 90 or more durometer – which lend themselves best to the printing of halftones and fine detail work. In the case of most smooth paper, for instance, a mid-range squeegee durometer of about 70–80 is ideal a lower durometer, such as 50-60, describes a softer blade, which will lay down much more ink, as will be helpful when printing on a rougher surface like fabric. ![]() It is the durometer of a squeegee that describes how hard the blade is, and therefore how flexible the squeegee is. Quite the contrary – what you’ll need is relatively simple, and can be set up nearly anywhere. Unlike some other printing processes, screen printing doesn’t necessitate the use of highly specialised materials that can only be used in a similarly specialised environment. Its respectability enhanced further still by the 1960s Pop Art movement, screen printing has been utilised down the generations by such legendary creatives as Andy Warhol, Robert Rauschenberg, Eduardo Paolozzi, Joe Tilson and Richard Hamilton.īut if you are looking to get into screen printing in the 2020s, what are the basic tools and materials that you should be sourcing first? Your screen printing essential checklist The screen-printing workshop that Velonis established with support from the WPA helped to usher in the era of screen printing as a widely accepted fine-art process. ![]() The key development in that regard was artist Anthony Velonis adapting the commercial screen-printing process for the Works Progress Administration (WPA), which was the largest of the Great Depression-era New Deal programs in the United States. ![]()
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